It began to function as the main musical source for weddings and other festivities. #Jordan 1 patina on feet full#It was small, easy to transport from one place to another, easy to learn, and was a full orchestra in and of itself. The accordion turned out to be the ideal instrument for poor, rural Mexicans. The diatonic accordion had the capacity to produce both melody and bass parts, and the tuning and button arrangements are such that when two adjacent buttons are played together, they usually produce a third interval, the basic harmony of Mexican vocals” (Tejada and Valdez 4-5). “The poor rural Tejanos took to it quickly since it could mimic several instruments simultaneously and it was cheaper to pay one acordeonista than an orquesta. The introduction of this musical phenomenon serves as a key component to understanding the social organization of Mexicans in the late nineteenth century. While neither theory has been proven correct, it is certain that by the 1890’s, the accordion had become widely used by the rural Mexicans on both sides of the border (Castro 63). The second idea states that the accordion actually came from Mexico, brought by German immigrants who settled around Monterrey in the 1860’s. Lured by the opportunities working on the railroad lines offered, the German immigrants moved toward Southern Texas and Northern Mexico, bringing with them the accordion and their traditional dances, the waltz and polka. One opinion is that it was introduced by the Europeans (mostly German, Czech, and Polish) who settled around the San Antonio area in the nineteenth century. There are two popular opinions on how the accordion arrived on the North American continent. Seven years later, an Austrian by the name of Cyrill Damian mass produced the instrument and dubbed it “accordion” (Gillespie). However, there is no doubt that a German named Friedrich Buschmann, who called it a Ziehharmonika, invented the accordion itself in 1822. Unfortunately, there is no official documentation and little research has been done on the matter. There are differing opinions on how the accordion was introduced into Mexican culture. I will also track how the influence of the accordion has permanently influenced and changed Mexican music throughout the decades and how the accordion continues to be an influence into the twenty-first century. I will consider how the accordion was introduced and how it was assimilated into Mexican culture, specifically through traditional conjunto music. In this paper I will examine how Chicanos appropriated the accordion into their own musical lives. Slavic in origin, the accordion has found its way into the hearts of Mexican people across the North American continent.
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